Design graduate internship

May 17th, 2011

3-month internship for a talented graphic design graduate


Are you a super-talented graphic design graduate? Do you already have workplace experience, but want a whole lot more? Do you love good design and are up for a challenge?

We are looking for someone who is keen to roll up their sleeves and throw themselves into everything from brand development to design for print; website design to packaging… Someone who is confident in Illustrator, Photoshop and InDesign and is bubbling with great ideas.

You’ll be part of busy team with the chance to work on all sorts of projects for a broad range of clients.

If you think you fit the bill, then we’d love to hear from you.

Please send your CV and work examples to hello@remedycreative.com – no later than 11th June 2011.

No agencies please.

Image size, resolution and all that jazz

March 29th, 2011

Ever had an image that looks amazing on your desktop, but looks like a dog’s dinner in print? If so, you should find this simple guide useful.

Resolution, dpi, CMYK, RGB, it’s easy to get lost in jargon and the science of it all, so we have attempted to keep this post as practical and straight forward as possible.

Topics covered include:

– Screen resolution
– Image size
– pixels and DPI
– CMYK and RGB

If you feel the urge to get more technical, please see the links at the bottom of the page.

What is screen resolution?
Screen resolution means the amount of pixels your monitor displays. A monitor with a screen resolution of 640 x 480 pixels will display 640 pixels (width) and 480 pixels (height). There are different screen resolutions you can use depending on the physical size of your monitor. Generally speaking, the larger the monitor the higher the screen resolution it can display.

Here’s how to check your screen’s resolution: On a PC choose Start – Control Panel – Display – Settings – screen resolution, on a Mac, choose Apple Menu – System Preferences – Displays.

Screen resolution v Print
Compared to print, your computer monitor is a low-resolution medium. Monitors display approximately 72 to 92 pixels per inch of resolution, whereas most four-colour printing uses anywhere between 150 and 300 dots per inch (the print equivalent of pixels – number of dots of ink printed per square inch).
Even though your monitor has a significantly lower resolution, the difference in quality between screen and print may not be immediately obvious.

Ink v Light
Four colour printed images use four printing inks; cyan, magenta, yellow, and black (CMYK) and depend on reflected light. In contrast, your monitor displays images using a combination of Red, Green and Blue (RGB) light to deliver millions of colours with a greater range of contrast and colour intensity.

This is why, even though your monitor is lower in resolution, it will display colour images that look as good, if not better than those at an equivalent size in print.

How big can I print an image?
In reality you can print any image as large as you wish. However, the larger an image is printed, the more clearly you will start to see the pixels that make up the image. As a rule of thumb, the image quality will be determined by the resolution of the image and the resolution it is being printed at.

For example, if you have an image that is 300 x 100 pixels and it is being printed at 200 dpi (dots per inch), here is the calculation: 300 ÷ 200 = 1.5, 100 ÷ 200 = 0.5, therefore if the image is printed at 1.5 x 0.5”, you will get exactly 200 dots per inch.

File size and resolution
There is a direct correlation between the resolution of an image and its file size. The higher the resolution, the bigger the file. File size is generally referred to as ‘Kb’ or ‘K’ (kilobytes) or as ‘Mb’, ‘M’ or ‘Megs’ (megabytes). For the sake of argument, a megabyte is equivalent to 1000 kilobytes.

A practical image size guide
The following sizes are a rough guide only, but should help in judging whether a raw image file is large enough to reproduce well.

20Kb – 100Kb: viewed on screen as a ‘thumbnail’ image
100Kb – 250Kb: viewed on screen as a header (approx 700 x 400 pixels)
500Kb – 1Mb: print (approx 25mm x 25mm)
1Mb – 2.5Mb: print (approx A5)
2.5Mb – 4Mb: print (approx A4)
4Mb – 10Mb: print (approx A3)
25Mb – 100Mb: print (larger poster formats)

Please note, if you are supplying Jpegs, these are compressed files. Small Jpeg files (up to 250K) are generally used online and will be left compressed. When Jpegs are opened in Photoshop to be edited or retouched ready for print artwork, they are uncompressed and the resultant file size will be significantly larger.

There is no formula for judging how large a Jpeg will become when uncompressed as it is dependent on the complexity of the image. If in doubt, send files to your design team who will be able to help.

For a more technical take on this subject, visit:
www.bowhaus.com
www.photo.net

Bring on the wall of inspiration

March 22nd, 2011

Our lovely wall of inspiration is full again.

This is part 2 of what looks like becoming a regular feature on the Remedy blog. Whenever we see something inspiring, be it typography, art, graphics, advertising…, we stick it on the wall. When the wall’s full, we take everything down and start again!

Found on the wall: Comedy Central, a rather dashing mandrill, Miss Grace Jones and the Southbank Centre to name but a few.

Check out Wall #1 here

Don’t forget, if you want to suggest something for the wall, send it to:

The Wall,
Remedy Creative
17, Mount Ephraim,
Tunbridge Wells
Kent
TN4 8AE

Or email: inspiration@remedycreative.com

Creative Heroes – Saul Bass

March 22nd, 2011

Ask many a designer or illustrator to list their major creative influences and there is little doubt that the name Saul Bass will crop up on more than one occasion.

Considered to be one of the great graphic designers, Saul Bass was the creator of some of the most iconic and memorable company logos (Quaker, Warner Communications and United Airlines to name a few), but he is mostly celebrated for the way in which he redefined the art of the movie title sequence and poster to create a complete identity for films.

In the early 1950s, Bass saw the potential for the opening credits to play a bigger part in setting the atmosphere of a film than previously realised. Otto Preminger was the first director to take advantage of Bass’s unique illustrative style, creating poster and titles for Carmen Jones in 1954. It was for his next sequence (The Man with the Golden Arm, 1955) that the rest of Hollywood sat up and took notice.

His animated sequences became a big hit and Bass went on to work with film greats such as Hitchcock, Kubrick and Scorsese, receiving an Oscar in 1968 for his own short film How Man Creates.

Out of the many brilliant movie title sequences that Saul Bass produced, I think my favourite has to be the haunting design for Psycho (1960). The sweeping lines, jagged movement of the text and frenetic staccato music, stunningly combine to create a thrilling preface of what’s to follow.

Saul Bass Psycho opening titles

You can watch the title sequence here

Regarding his theories on the use of film titles, Bass said “My initial thoughts about what a title can do was to set mood and the prime underlying core of the film’s story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it”.

Although being a great admirer of his film title sequences, what I find most inspiring about Bass are his beautifully illustrated posters, his distinctive style used time and time again to great success. The key to his designs is that they always illustrate one simple idea.

Saul Bass posters

Bass had an uncompromising philosophy when it came to design, “The fact of the matter is, I want everything we do, that I do personally, that our office does, to be beautiful. I don’t give a damn whether the client understands that that’s worth anything, or that the client thinks it’s worth anything, or whether it is worth anything. It’s worth it to me. It’s the way I want to live my life. I want to make beautiful things, even if nobody cares.”

Saul Bass died in 1996. His legacy and influence that he had on designers can still be seen today. From the CD artwork for The White Stripes’ Hardest Button to Button, to the opening credits of Catch Me if You Can (2002).

Another of our Creative Heroes, John Webster

Remedy launches Marshall-Tufflex Energy Management campaign

March 18th, 2011

After a 3-way pitch back in October, we picked up the Marshall-Tufflex Energy Management (MTEM) account.

The brief was threefold: to position MTEM as a brand leader, offering a full energy management package to commercial and industrial clients; to convince Energy Managers that MTEM could help them meet CO2 targets imposed on them by The CRC Energy Efficiency Scheme and to build brand recognition.

Energy management is a hot topic, with lots of companies vying for a slice of market share. So it’s the age old problem – how do you make sure potential customers hear what you have to say in a crowded marketplace?

MTEM’s products are seriously impressive, in some cases helping to reduce energy bills by up to 70%, but with many competitors in the same trade titles, it’s not easy to stand out. So once we had agreed on a campaign strategy, we developed a bold illustration style to give the ads a distinctive look and help establish the brand.

Brand ad

Sinergy illustration

Voltis illustration

We are currently in the process of rolling out ads in the energy management trade press for the overall MTEM brand and all of their products.

Katie Smart, MTEM’s Marketing Promotions Coordinator, had these kind words to say:

“We chose to work with you because you had a great attitude and were genuinely excited about our company – and we haven’t been disappointed. Working with you has been a pleasure and you’ve made the process easy. You’ve designed a strong, confident and engaging campaign which meets our brief perfectly, building brand awareness of Marshall-Tufflex Energy Management in the energy management marketplace.”

Now that’s the kind of response we like!

A little creative inspiration

March 4th, 2011

There’s lots of creative inspiration out there, so we send our creative ferrets out every day to trawl the best stuff.

If we like it we stick it on the wall! Once the wall’s full, we tear it all down and start again. Because we can.

Keira Knightley, Design Council, Sharwoods and Demetrios Psillos all made it onto the wall.

The wall is now clear, so get out there creative ferrets!

If you want us to stick anything on the wall, send it to:

The Wall,
Remedy Creative
17, Mount Ephraim,
Tunbridge Wells
Kent
TN4 8AE

Or email: inspiration@remedycreative.com

Do design students work better under pressure?

February 21st, 2011

I went to K College (nee West Kent College) recently to spend a day with the BA Graphics students.

I’ve been there a couple of times before to talk about professional practice and to review their design portfolios, but this time I wanted them to roll their sleeves up and get more involved, so I set them a creative brief.

Most college students have the luxury of weeks, if not months, to crack a brief. Now, time is a very strange thing. You might be forgiven for thinking that the more of it you have, the more (and better) ideas you can come up with. Give a design student a month to work on a creative brief and they’ll spend three weeks of it pushing the same idea around a computer screen trying it in every colour and typeface under the sun.

So, I wanted to shake things up and get them to put their brains into overdrive. You should have seen their faces when I told them they had 2 hours before they had to present their ideas in front of the whole class.

Here’s the brief in a nutshell:

Background: Samsung is  launching a brand new range of batteries using a new technology called ‘Nano power generation’.

Purpose: Grab consumers’ attention and blow all other makes of battery out of the water.

Audience: Anyone who would have use for batteries.

USP: Double the battery life of any other battery available on the market.

Tone of Voice: Innovative. Fun. Modern. Compelling.

Requirements: A memorable brand name and an A3 point of sale poster.

On your marks, get set go! Panic, stare at blank layout pad, look at the clock…

The strange thing is, even the ones who were convinced that 2 hours was impossible, managed to pull something out of the bag. In fact most of the group put down at least 1/2 dozen decent concepts.

A brain, some paper and a pencil – the last thing you need for ideas is an Apple Mac!

Once the dust had settled, I set the group another brief with the carrot of a placement in the agency later in the year. This time I gave them two weeks. Can’t wait to see the results – watch this space.

Related blog posts:

Remedy goes back to college
Another chat with West Kent graphics students

How to write for the web

February 16th, 2011

Your website is a powerful selling tool. Conversely, with poorly written copy, it could do more damage than good. Before we talk about how to write for the web, let’s look at some research conducted by www.useit.com into ‘How users read on the web’.

Like many usability studies, they have come to the conclusion that people read websites very differently to the way they read printed literature – they don’t read, they scan. In their research, they found that only 16% of users read every word when navigating a new web page.

To measure the effectiveness of different styles of copy, they asked users to perform the same tasks on five different versions of the same website. They produced a control version using what they call “marketese”, a concise version, a scannable version, an objective version and a version that combined all three ‘improvements’ in writing style.

Here’s the control version:

Nebraska is filled with internationally recognized attractions that draw large crowds of people every year, without fail. In 1996, some of the most popular places were Fort Robinson State Park (355,000 visitors), Scotts Bluff National Monument (132,166), Arbor Lodge State Historical Park & Museum (100,000), Carhenge (86,598), Stuhr Museum of the Prairie Pioneer (60,002), and Buffalo Bill Ranch State Historical Park (28,446).

Probably no wonder that this didn’t score particularly well.

Here’s the most successful version:

In 1996, six of the most-visited places in Nebraska were:

•    Fort Robinson State Park
•    Scotts Bluff National Monument
•    Arbor Lodge State Historical Park & Museum
•    Carhenge
•    Stuhr Museum of the Prairie Pioneer
•    Buffalo Bill Ranch State Historical Park

In this particular test, the latter copy version measured a 124% improvement in usability. So…

What are the rules for writing good web copy?

Here are some of the hard and soft rules to get the most out of your web copy, in no particular order:

1) First things first
What is the most important thing you need to get across? Don’t be afraid to sum it up right at the top of the page.

2) SEO
Yes, it’s massively important, but don’t let Search Engine Optimisation get in the way of a good read. You know the sort of thing;
Remedy Creative is a creative agency that understands creativity. Our creative remedies bring creativity to clients that need remedies that are both creative and…

3) Scannability
Make the page easy to digest for anyone who wants to scan the copy. Highlight keywords. Pull out useful facts in sub-headings. Keep it as short as possible.

4) Jargon
Unless you are talking tech to techies, keep the jargon to a minimum.

5) Audience
What does your audience want to read? What language do they want to read it in? Knowing who you are talking to is one of the first steps to copy that works.

6) Tone of voice
You have a brand with values. Professional, energetic, cutting-edge, fun, established, reliable… Whatever your values are, the tone of voice of your web copy needs to be in line.

7) Proof
Make sure you read your copy through (printing it out is a massive help) before it gets published. If you have access to a professional proof reader or trusted colleague with a good command of English, get them to read it too. One typo in the middle of a beautifully written paragraph will lose credibility and undo all of your hard work.

8) Call to action
What do you want people to do once they have read your copy? Whatever it is, make their life easy. Provide links, a clearly signposted contact page or a highlighted contact number.

9) Descriptive links
Wherever possible, make your links descriptive. Don’t write ‘to find out more about writing for the web click here’, when you could write ‘click here to find out more about writing for the web’.

10) To write or not to write?
An A-Level in English doesn’t make you a great copywriter. It’s no big deal, we just need to play to our strengths. If there is no one in your organisation who has a way with words, then get a professional on the case.

Talking Point – a redesign from top to toe

February 3rd, 2011

We’ve been providing design and usability consultancy for I CAN’s Talking Point website since 2005.

This year, The Communication Trust launched  ‘Hello’, a national campaign to support childrens’ communication needs. Talking Point was chosen as the key information resource at the centre of the Hello campaign.

So in expectation of lots more traffic, it was time for a major overhaul – site structure, content, design, the whole shebang. Remedy were involved from day one in user focus groups with parents and teaching professionals.

Card sorting & wireframes for Talking Point

Card sorting in user-testing sessions & wire-frames

First stage designs were also tested  and when the site had been developed, we helped facilitate pre-launch testing before the official launch on January 1st.

The newly launched site: www.talkingpoint.org.uk features a database-driven progress checker, interactive help and advice tool and editable jQuery-based navigation.

Our input:

Information architecture  consultation
User experience & graphic design – wire-framing, navigation, design & ongoing design support
Copywriting
User testing – card sorting and focus groups, both pre and post-launch

Visit: www.talkingpoint.org.uk

Talking Point

2011, the year the world implodes – or something

December 23rd, 2010

I love predictions and no doubt, a psychic somewhere in Wyoming knew I was going to say that.

Every year, those in the know get their crystal balls out and tell us what’s going to go down in the year to come. 2011 is no different and there are some real humdingers predicted.

In world economics we have:

The USA does a ‘Euro’
The multi-colored Amero becomes the new unified currency for North America. Borders between Canada and Mexico have been effectively erased.
c/o meltdown2011.com

The UK goes to the dogs
Britain will see its decline and their society destroyed by overindulgence in sex, drugs, money, alcohol, immorality & gambling.
c/o world-famous-predictions-prophecies.blogspot.com

Technology:

Everything connected
…every device, from the television to your phone to your fridge can now have a web address. That means you can email a picture straight from your mobile to your picture frame already; in future the cork in a wine bottle will have an address too. That means it will email you to tell you today is the best day to get it out of the cupboard.
c/o telegraph.co.uk

Cloud computing
You will build a private cloud, and it will fail.
c/o blogs.forrester.com

Celebrity:

Oh no, say it ain’t so
In February the Beckhams reveal they are planning a divorce.
c/o Craig and Jane Hamilton-Parker of The Psychics & Mediums Network

Major doom-mongering:

Start panic buying now
The sky erupts. Cities darken, food spoils and homes fall silent. Civilization collapses.
c/o prophecynewswatch.com / usatoday.com

A bit fishy
You will have to undergo many trials and tests until the self centered (sic) attitude of your past karmas is overcome. (aimed at Pisceans)
c/o foreverhoroscopes.com

Silver lining
After Thirteen Heavens of Decreasing Choice, and Nine Hells of Increasing Doom, the Tree of Life shall blossom with a fruit never before known in the creation, and that fruit shall be the New Spirit of Men.
c/o greatdreams.com

Hedging their bets:

I told you so
American ‘mature’ actor loses fight with cancer

See I really am a psychic
Political leader faces legal allegations on theft/embezzlement

I could probably make money out of this
Helicopter safety rescue for a few stranded people (near mountains, waterfall, cliffs)
all c/o family.psychics.co.uk

So, all in all it’s going to be quite an entertaining year. See you in the bunker, don’t forget to bring a tin opener.