Archive for the ‘photography’ Category

Image size, resolution and all that jazz

Tuesday, March 29th, 2011

Ever had an image that looks amazing on your desktop, but looks like a dog’s dinner in print? If so, you should find this simple guide useful.

Resolution, dpi, CMYK, RGB, it’s easy to get lost in jargon and the science of it all, so we have attempted to keep this post as practical and straight forward as possible.

Topics covered include:

– Screen resolution
– Image size
– pixels and DPI
– CMYK and RGB

If you feel the urge to get more technical, please see the links at the bottom of the page.

What is screen resolution?
Screen resolution means the amount of pixels your monitor displays. A monitor with a screen resolution of 640 x 480 pixels will display 640 pixels (width) and 480 pixels (height). There are different screen resolutions you can use depending on the physical size of your monitor. Generally speaking, the larger the monitor the higher the screen resolution it can display.

Here’s how to check your screen’s resolution: On a PC choose Start – Control Panel – Display – Settings – screen resolution, on a Mac, choose Apple Menu – System Preferences – Displays.

Screen resolution v Print
Compared to print, your computer monitor is a low-resolution medium. Monitors display approximately 72 to 92 pixels per inch of resolution, whereas most four-colour printing uses anywhere between 150 and 300 dots per inch (the print equivalent of pixels – number of dots of ink printed per square inch).
Even though your monitor has a significantly lower resolution, the difference in quality between screen and print may not be immediately obvious.

Ink v Light
Four colour printed images use four printing inks; cyan, magenta, yellow, and black (CMYK) and depend on reflected light. In contrast, your monitor displays images using a combination of Red, Green and Blue (RGB) light to deliver millions of colours with a greater range of contrast and colour intensity.

This is why, even though your monitor is lower in resolution, it will display colour images that look as good, if not better than those at an equivalent size in print.

How big can I print an image?
In reality you can print any image as large as you wish. However, the larger an image is printed, the more clearly you will start to see the pixels that make up the image. As a rule of thumb, the image quality will be determined by the resolution of the image and the resolution it is being printed at.

For example, if you have an image that is 300 x 100 pixels and it is being printed at 200 dpi (dots per inch), here is the calculation: 300 ÷ 200 = 1.5, 100 ÷ 200 = 0.5, therefore if the image is printed at 1.5 x 0.5”, you will get exactly 200 dots per inch.

File size and resolution
There is a direct correlation between the resolution of an image and its file size. The higher the resolution, the bigger the file. File size is generally referred to as ‘Kb’ or ‘K’ (kilobytes) or as ‘Mb’, ‘M’ or ‘Megs’ (megabytes). For the sake of argument, a megabyte is equivalent to 1000 kilobytes.

A practical image size guide
The following sizes are a rough guide only, but should help in judging whether a raw image file is large enough to reproduce well.

20Kb – 100Kb: viewed on screen as a ‘thumbnail’ image
100Kb – 250Kb: viewed on screen as a header (approx 700 x 400 pixels)
500Kb – 1Mb: print (approx 25mm x 25mm)
1Mb – 2.5Mb: print (approx A5)
2.5Mb – 4Mb: print (approx A4)
4Mb – 10Mb: print (approx A3)
25Mb – 100Mb: print (larger poster formats)

Please note, if you are supplying Jpegs, these are compressed files. Small Jpeg files (up to 250K) are generally used online and will be left compressed. When Jpegs are opened in Photoshop to be edited or retouched ready for print artwork, they are uncompressed and the resultant file size will be significantly larger.

There is no formula for judging how large a Jpeg will become when uncompressed as it is dependent on the complexity of the image. If in doubt, send files to your design team who will be able to help.

For a more technical take on this subject, visit:
www.bowhaus.com
www.photo.net

Working with animals and children – Remedy loves a challenge

Tuesday, May 25th, 2010

We have been working with Pet Works since October ’09 on a major re-working of their brand and marketing communications. A key part of the new messaging is communicating the special bond between people and their pets. So some bright spark came up with the idea of photographing pets with their owners on location.

Over the years we’ve photographed all sorts of exotic creatures – ostriches, panthers, bees, swans, piranhas, koalas… But this shoot was different – pets with amateur models including kids. This was going to be more challenging than photographing an 8 foot crocodile and not getting eaten (which we have managed)…

samj_invisible_animals

Either Sam and I were helping to set up shots or our pets have escaped!

We organised a three day multiple-location shoot in Sussex with photographer, Nick Parker with 4 labradors, 2 spaniels, 3 rottweilers, 2 terriers, 3 bull dogs, 2 boxers, 2 retrievers, a husky, a cavapoo (no really), various cats and kittens, horses, rabbits, donkeys and even an alpaca.

It was good fun, challenging and exhausting, but the end results made it all worthwhile. Pet Works now has a large bespoke image library, and we have a very happy client!

The images feature on the new Pet Works website, literature, exhibition stands and point of sale materials – take a look in our online portfolio.

2petworksshots1

A big thanks to all at Pet Works, and all the wonderful pet owners and (mostly) well behaved pets – we had a great time.

Making sense of Aphasia – the making of a cover image

Friday, January 22nd, 2010

Connect - Making Sense of Aphasia

How do you photograph seven people in a studio wide enough for two?
Connect, a UK charity that helps people with aphasia, needed a strong theme for their new impact report. Connect supports people with aphasia to help others with aphasia. We thought the perfect way to illustrate this would be to get some of Connect’s clients to work together to spell out A–P–H–A–S–I–A on placards.

A studio shoot would have been out of the question, being too intimidating for many of the people we wanted to photograph. So we organised a location shoot at the client’s London headquarters. We shot all seven subjects in the somewhat challenging surroundings of the client’s boardroom. However, thanks to the hard work of our wonderful photographer, Gary Ombler and some hefty post-shoot retouching by Remedy, the image works seamlessly.

Using a portable back-drop and lighting rig, we spent an afternoon shooting variations of pairs of subjects holding blank blue placards. After a trawl through hundreds of shots back at the agency, we chose the seven best poses and isolated the subjects and their shadows from the background. Then with a lot of TLC, we stitched the final composite image together. The next stage was to colour correct the different layers and enhance the shadows to create the illusion that it was all shot together as one. Finally, we superimposed the letters onto the placards, and Bob was indeed our uncle!

Although challenging, the shoot and final re-touched image worked a treat. What’s more, the models were chuffed to help their charity and the client was absolutely thrilled with the end result.

Read more about our work for Connect

The craft of the copywriter has changed innit!

Wednesday, October 7th, 2009

An ad in ‘The Young Ladies’ Journal’ of 1877 for Righton’s Dress Fabrics reads:

‘Ladies are respectfully invited to write at once for patterns of these beautiful and fashionable materials for Summer wear. The newest and most varied stock in the Kingdom to select from.’

The ad goes on to list ‘… Suitings, Tennis and Seaside Materials, Canvas Cloths, Zephyrs, Cashmerettes, Cambrics, Lawns, Satteens… and many other Novelties, all of which are unequalled in every respect.’

rightonsdresses

It would be safe to say that this was written before the golden age of advertising, however, 132 years ago, this was probably perfectly acceptable and possibly even quite compelling.

By the 1940s, the language was no less whimsical. Under the headline ‘Like Paris in the Spring’, this Coty press ad tells us:

‘Coty brings you the heart-stirring warmth of its fragrant air, the vibrant charm of its bright-hued flowers… in a series of lovely make-up aids, color-related in Springtime shades and fragranced with Coty perfumes.’

1940scoty

By the 60′s and 70′s, the copywriter had blossomed into a true commercial wordsmith (Fay Weldon, Len Deighton and Salman Rushdie all came out of advertising agencies). Great copywriters like Bill Bernbach, David Ogilvy, Tony Brignull and David Abbott lovingly crafted their copy, to not only sell, sell, sell, but to instill belief and trust in a brand. They helped convey a product’s intelligence as well as its points of difference.

David Abbott famously wrote a beautiful press ad for Chivas Regal with 265 words across 50 perfect paragraphs. His award winning ad for the RSPCA ‘When the Government killed the dog licence they left us to kill the dogs’, had 460 painstakingly honed words in the body copy. Not that Abbott was a slave to long copy – he once said “Think visually … sometimes the best copy is no copy”.

I couldn’t agree more, but us modern-day hacks may have taken this a little too literally. Have a look in the colour supplements, how many decent ads have more than a couple of words squeezed in under the picture?

Has the craft of copywriting had its day? We are all constantly bombarded by SMS messages, programme sponsorships, HTML emails, viral movies… Maybe no one really has the time or patience for long copy any more. However, I think the issue is not how many or how few the words, but whether they are the right words.

Driving along recently, a poster caught my eye (for all the wrong reasons). The headline was ‘OMG’ – my immediate reaction was “UGH”. This sorry blight on the landscape then went on to inform me that ‘My chunky just got funky’. What are they talking about? Funky? Are they serious?

Is it rubbish (OMG, I think so), is it lazy (Like, duh!) or is it a brand that knows its audience?  – presumably 14 year-olds who learned to spell on a Sony Ericsson C905. Argh, I’m starting to sound like my Grandad, but this ad made my blood boil! After seeing it, I needed a break, but the last thing I needed was a Kit Kat – Thank Crunchie it was a Friday!

omg

Would this offering from Kit Kat make the great writers of yore turn in their graves, or would they sagely say that it is an ad of its time that the ‘YOT will <3′?

If you managed to get beyond the first sentence, I’d love to know what you think (but I guarantee if you write ‘LOL’ without even a modicum of irony, the blog police will show no mercy).

Mr. Bingo, photo-obsessive

Monday, July 20th, 2009

Sometimes, the everyday banal stuff has the power to stop you in your tracks more than a bit of high drama.
Mr. Bingo is an illustrator who snaps away at all the little details; the stuff that passes most people by. Here are a few of his images (taken on his mobile) that particularly grabbed me.

bingo-1

bing02

bingo3

If you want to see more of his pics, check out Mr. Bingo’s twitpic pages but be warned, some of the content might make your Grandma’s toes curl.

Who says you shouldn’t work with animals?

Thursday, May 21st, 2009

Build your own zoo

“Keep it simple”. That’s what the best creatives I’ve worked with have always told me.
These pics landed in my inbox ages ago, but they still make me titter.

A simple idea, beautifully executed and it combines two of my all-time favourite things – wit and silliness.

If you want to see more, check out:

http://www.nabble.com/Bored-at-home….create-your-own-zoo…..-p3436555.html

Say it with trucks – typography on the move

Sunday, May 17th, 2009

An Alphabet of Trucks

Love photography?
Love type?
Love trucking?

Then you’ll love Alphabet Truck by French photographer, Eric Tabuchi.

He must have driven half way round the world to get this.
It’s either genius or a waste of petrol. Either way we like it.

Keep on trucking: http://www.erictabuchi.fr/index.php?/images/alphabet-truck/