Archive for the ‘design’ Category

The web is changing, is your website keeping up?

Thursday, January 19th, 2012

Social media, e-commerce, apps, blogs, search engine optimisation, analytics, open source development platforms… The web is continually evolving, and in case you missed it, the ‘next generation’ of users has arrived en masse. They are brand-promiscuous, savvy, iThing-wielding surfers with the patience of a five year old and the ability to text with their eyes shut.

User experience has to be at the heart of any website. So, are you keeping up?

For organisations that need to engage with their audiences online, the pace of change can be daunting. Websites designed just two or three years ago can already look tired and worse still, can frustrate time-poor users into giving up and clicking elsewhere. Dated typography and colour palettes, poor or overly complex site navigation and a lack of social media integration or interactivity are just some of the signs that a website has had its day. If this sounds familiar, then it’s time for a re-think.

I CAN’s commitment to continued improvements

Remedy has been working with I CAN, the children’s communication charity, on their Adopt a Word campaign since it’s launch in 2008. The online fundraising site www.adoptaword.com allows users to adopt their favourite words for a year, and has generated over £100k for the charity. The success of the site can be partly attributed to the client’s commitment to continued improvements, resulting in several functionality updates and front-end facelifts over the past three years. Along with social media integration, this has ensured that site visitors keep coming back, spread the word amongst their networks and re-adopt their words.

Trafalgar Leasing gets a website upgrade

Recently, vehicle leasing specialists, Trafalgar Leasing, asked us to bring their website up to date. We designed their original website back in 2004 and were delighted to have the opportunity to work with them again.

The Trafalgar brand identity, also created by Remedy in 2004, had stood the test of time, so the new site was designed to complement the existing logo and colour palette. As part of the re-design, the entire site was moved onto the WordPress platform, providing the client with far more editorial control and a more user-friendly interface.

Trafalgar Leasing website design – before and after

Managing Director David Gould admitted some initial reluctance to updating the website, but after its re-launch was delighted with the results.

“… looking at my new website, it is light years away from the original one. I can now proudly direct others to my site as evidence of what can be achieved.”

So whether you feel your existing website has kept pace or not, there is one thing for certain – the web is going to continue to evolve, as will user expectations. Websites that keep up, will ultimately be more successful in attracting visitors and hanging onto them.

Working with designers #3

Wednesday, January 18th, 2012

You’ve chosen a design agency, now what?

Here’s part 3 of Remedy’s presentation delivered at the Not For Profit Technology Show last November. To get up to speed, see part 1, preparing a website design brief and part 2, choosing the right design agency

So, you’ve gone through the pitch process and chosen the ideal agency to design your website, but how do you make sure your project stays on track? Stick to these steps and you shouldn’t go too far wrong:

1) Agree a realistic project schedule
“As soon as possible”. That’s the answer we invariably get when asking the question, “When do you want your new site to go live?”. That’s all well and good, but bearing in mind you will have to be part of the process, you need to take into account your own workloads and timescales. How quickly can you collate draft copy? How quickly will you and your team be able to agree and sign-off the various design stages? A website schedule has to be workable both ways, so try to avoid setting unreasonable deadlines that will put unnecessary pressure on you or your agency.

2) Get the site architecture right
Get the site map and functional spec right and don’t proceed with the design process until you are 100% sure everyone has agreed what your new site is going to do, it’s overall structure and how the user is expected to navigate their way around. Although not always totally practical, one simple rule that will make your site user-friendly is if you are never more than two clicks away from where you want to be. Once the architecture is agreed, then you’re into the design concept stage.

3) Insist on choice
Unless your design agency has to stick rigidly to an existing page template or hard-and-fast design guidelines, you should insist on a choice of design routes (budgets permitting of course). For the initial concept stage, a Home page and one other page should be enough to base your decision on.

4) Allow room for creativity
You will most likely have seen websites that you admire. By all means, share these with your design agency, but try to avoid being so prescriptive that you stifle the designer’s own creativity. Try to remain open-minded at the concept stage and try not to force a design aesthetic on your agency that leaves no room for experimentation and means you end up with a website that looks like everyone else’s.

5) Judge creative work against the brief
You have gone to the trouble of agreeing a great creative brief (see part 1 for details), make sure it is at hand when judging the design concepts. It’s at this point that personal likes and dislikes can get in the way of rational thinking. If the design concept answers the brief, then it probably isn’t far wrong. Of course, you and other key stakeholders need to be happy with the design, but as soon as the decision process starts to get tricky (which it often does when there is more than one person involved), the brief will add clarity.

6) If you don’t like it, say so
You will have to live with your website for quite a while. All of your clients/supporters/service users/staff/volunteers/competitors will look at it and have an opinion. It will probably be one of the most important elements in your marketing mix, so you’ve got to be happy with it. If there’s something you don’t like, make sure you say so at the concept stage, but equally, you need to say why. Is it a personal dislike, is it inappropriate for your brand’s personality, is there a lack of visual focus…? Whatever your objections, talk them through with the design agency so that they can understand your issues and find a better solution.

7) Ask for other opinions
Even if you are very single-minded and are convinced the design concepts are spot-on, it doesn’t hurt to get other opinions. Whoever you wish to confer with, before they give you their ha’penny’s worth, make sure they understand the brief. The website design should be judged with a proper understanding of what you are trying to achieve and who you are talking to.

By this stage, you should have a website design that meets the basic criteria of the brief and that you are happy with. If you’re not completely there yet, it may be a case of tweaking one of the design concepts. But all of the preliminary work in getting the brief right and choosing the most suitable design agency should have made getting to this point as smooth as possible.

With a couple of pages designed to everyone’s satisfaction, your agency will now need to design other page templates that can be applied across the whole site. Oh, and by the way, have you supplied all of the copy and other content yet? If not, this is the point where the schedule can grind to a halt.

So, now we go from the design stage to the build. Definitely not the time to take your eye off the ball. There are some simple guidelines that you can follow, but that will have to wait for another blog post.

In the meantime, please let us know if you have found this series of posts useful and of course, if you have any tips to add that will help anyone through the website design and build process, we’d love to hear from you.

It’s the wall of inspiration again!

Tuesday, November 29th, 2011

Wall of inspiration #6.

There’s creative inspiration everywhere. Graphic design, photography, typography, editorial design, packaging…

If we like it, it gets pinned up on the Remedy wall of inspiration.

On this month’s wall: Andy Warhol and David Hockney rub shoulders with Converse sneakers and Costa Coffee.

You can see our last wall here

And as ever, if something grabs your eye and you think it should be on the next wall, give us a shout:

The Wall,
Remedy Creative
17, Mount Ephraim,
Tunbridge Wells
Kent
TN4 8AE

Working with designers #2

Tuesday, November 22nd, 2011

Here is part 2 of a talk that Remedy gave at the Not For Profit Technology Show in London, alongside James Higgott from The Royal Marsden Hospital.

The first part was about preparing a website design brief, this part is about choosing your design agency and the third part (blog post to follow) is about getting the design right.

Choosing a design agency

Choosing the right design agency

1) Who’s work do you like?
Boutique web design specialist? Integrated design agency? Award winning, West End hot shop? A freelancer that a friend recommends? Whoever you shortlist and however you come across them, the first filter you need to apply is “do I like their work?” If there is a design sensibility or aesthetic that you admire in their portfolio, then that’s a great start. Also, it’s good to keep an open mind – just because the agency doesn’t have experience in your specific sector, doesn’t mean they can’t create a fantastic website for you.

2) Understand who you’ll be working with
It’s all very well meeting the Creative Director, Managing Director and Head of Online Strategy, but will they actually be looking after your web project? If not, it certainly wouldn’t be unreasonable to know the calibre of the team that will be designing and writing your website and who you will be dealing with on a day-to-day basis.

3) Understand their processes
Every agency will have it’s own ways of working. Some will be a comfortable fit and some will drive you up the wall. One marketing director we recently met described working with his previous agency as being like “pulling teeth”. Websites don’t happen over night, so you will, by default, have to build a relationship with your design agency; so make sure it’s one that will work.

4) What do they expect from you?
From day one, right up until your new website is launched, you will have to be part of the process. Make sure from the outset just how involved your agency will expect you to be and what they will need from you, and when. Will they want to work with you to determine site architecture? Will they want draft copy at the outset? Will they want a face-to-face meeting every week? To help things to run smoothly, insist on a project schedule that is realistic for both you and the agency.

5) Ask for references
You’ve met the team. They’re charming, eloquent and have some great work in their portfolio. If they’re really as good as they say they are, they will have left a trail of very happy clients in their wake, so don’t be afraid to ask for a couple of references. It could well save a lot of heartache.

6) Choose people you get on with
Yes, it sounds obvious, but this is just as important as choosing a design agency who’s work you love. If they’re creative geniuses, they could also be prima donnas with egos the size of Ben Nevis. So, here’s a simple formula – a great portfolio + nice people = at least half way to choosing your design agency.

7) What does the estimate include?
Websites are complex, with lots of elements to consider, and all adding to the cost. Architecture, wire-framing, front-end design, content management system and CMS training, copywriting, Search Engine Optimisation, imagery, hosting… Make sure that you know what is included in the price. If there is a lack of clarity in the estimate, ask the agency to spell it out in black and white. Remember, a seemingly simple functionality change could have significant cost implications, so agree the functionality spec. at the start.

8) Licensed CMS?
Sometimes, a bespoke content management system is the best solution, often an open source system will work just as well. Think long and hard before you choose an agency that insists, come what may, on using their licensed, bespoke content management system. However, if your new website requires functionality that means a bespoke CMS is the most practical option, it is important to understand what happens if, at some point in the future, you want to move your site.

9) You get what you pay for
‘Websites from £500′ shouts the poster in the agency window. Now, let’s stop a moment before getting our cheque books out. Even if the agency only charges £50 an hour, can they really plan, design, build and optimise a website that will help move your business forward, in 10 hours?

A website is more often than not, an organisation’s most powerful marketing tool. If your website is going to be your shop window; a key way to communicate with members, clients or supporters; or the first port of call when anyone wants to find out about you, don’t make cost the most important factor when choosing your design agency.

If you are putting together a shortlist of agencies (three is the magic number), we recommend that you read our previous post on preparing a website design brief

You can download all of this presentation in PDF format including slides from James Higgott at www.ioftech.org.uk/resources

Working With Designers #1

Wednesday, October 19th, 2011

Remedy was recently invited to present at the Not For Profit Technology Show in London, alongside James Higgott from The Royal Marsden Hospital. We wanted to impart some insider knowledge to not for profit organisations on how to make the most of their relationships with external designers, specifically, when working on web projects.

Our presentation was split into three sections – preparing a brief, choosing an agency and getting the design right.

Here is an overview of the first section (with two more blog posts to follow):

Great work comes from a great brief

It’s very rare that great creative work comes out of a hastily put-together brief. Like the foundations of a building, get this bit right and the design and build won’t be in vain. So where do you start? What will a design agency need to be able to deliver a great website?

1) Background information

Assume the design agency knows nothing about your brand, or even your sector for that matter. Arm them with everything they need to get to grips with what you do and what you are all about: annual reports, brochures, flyers, web addresses, press clippings and any industry insights that may be of use.

2) Clear objectives

What is it you hope to achieve with your website? This could be a fairly lengthy list, but you should prioritise. Perhaps you want visitors to sign-up to a newsletter, download resources, make online purchases, recommend your organisation to colleagues, follow you on Twitter or request a quote.

3) Target audiences

Who are they? What makes them tick? Why might they want to do business with you?
Do you have any useful stats? If the majority of potential customers are 18-24 with a love of social media, or if they are chief execs who do a lot of their business at the 19th hole, the designer will need to know. The more an agency knows about your audiences, the more likely they are to come up with a design that resonates with them.

4) What you want users to think, feel and do?

When someone comes to your lovely new website, what should their first reaction be? What do you want them to think about your brand and more importantly, on an emotional level, how do you want your brand to make them feel? And tying in with point number 2, once they have made an emotional connection, what do you want them to do?

5) Tone of voice and brand guidelines

How do you want your brand to come across? Corporate brand leader, no-nonsense professional adviser, an old friend you can rely on…? Every brand has a tone of voice (or at least they should have) and this needs delivering consistently whether online or offline.

Many organisations have a set of brand guidelines. Unfortunately many of them are kept in bottom drawers and not referred to. Don’t let this be the case with you and your brand. If there are rules when it comes to using your logo, your design agency will need to know. Similarly, do you have corporate colours, typefaces, a library of up-to-date imagery? If so, your new website should follow your guidelines (unless of course, it’s time for a brand refresh).

6) Competitors

In the Not-for-Profit world, these are known as ‘other players’. Whatever you call them, unless your brand’s offering is totally unique, there will be other organisations out there that are vying for the attention of the same customers/members/donors. So who are they, which ones do you admire and why? What can we learn from them? What mistakes are they making that your design agency should avoid?

7) Other brands

There may be organisations that do things in a certain way that, although nothing to do with your sector, you admire. Looking at their websites in particular, they may have a visual style that you like, a certain way with language or a particular way of organising content. It may be more of a ‘brand values thing’. Which brands have an attitude or personality that you might aspire to be like – John Lewis, Volkswagen, Apple, Shake ‘n’ Vac…

8) Content and functionality

Content is, 99 times out of 100, the one thing that will delay the launch of a new website. Whether you are supplying draft copy; fully edited, perfectly formed, search engine optimised copy or a list of bullet points, your site is going nowhere without content. The real need for this may come further down the line in the design process, but nevertheless, it’s best not to leave this right until the 11th hour.

Functionality however, will need to be addressed right up front. A design agency will need to know what your new website has to do. Will it be collecting data? Will it integrate with existing Customer Relationship Management (CRM) software? Will there be E-commerce functionality, members’ log-in areas, blogs, social media integration…? Without this information, the agency won’t be able to give you an accurate quote or get close to a design solution that makes sense.

9) Measuring success

Looking ahead; the new website has launched, the marketing department are proud to show it off to the world and the competition are green with envy. The question you need to ask yourself way before any of this has happened, is what will you consider to be a successful interaction? For many clients it will be orders or enquiries, but equally it could be Google rankings, the number of users who sign up to support a campaign or a Gold D&AD award. If you know what success will look like to you from the outset, this will definitely help to steer the design process.

10) Hosting

Who will be hosting your website and what kind of server will you need? This will be dictated largely by the amount of traffic you expect and how ‘mission critical’ your website will be.

11) Deadline

Websites take time. Well-planned, beautifully designed, carefully executed websites take longer. If you need to hit a certain date in your calendar, this should be in your brief, but schedules have to be realistic.

12) Budget

The $64,000 (wouldn’t that be nice) question. It would save a lot of time and effort for client and agency alike, if along with all the other nuts and bolts, a realistic budget was part of the brief. Whether you decide to share your budget or not, having a figure agreed internally is essential. At this juncture, it’s worth remembering that as with all things commercial, with website design you get what you pay for and invariably, a £500 website will look unsurprisingly like a £500 website.

If you don’t have the resources or expertise in-house to do some or all of the above, any design agency worth its salt will be able to help guide you through the process, but the more of the groundwork you can do, the better. Even if you are able to write a great brief yourself, the objectivity that a decent agency brings to the table means that you should be prepared for them to challenge, distil and even re-write parts of it.

Should you have a brief you want to discuss, or if you need help putting one together, we’d love to hear from you.

You can download the talk in PDF format including slides from James Higgott at www.ioftech.org.uk/resources

Creative Heroes – Harry Beck

Monday, October 10th, 2011

Millions trust it every day. If you’ve ever been to London, you’ve read it. Over the past eight decades it has become a British design classic.

I’m talking about the London Tube Map. It was originally designed in 1931 by a man called Harry Beck – not a household name by any means. Born in 1902, Beck was an Underground electrical draughtsman, who was tired of the complex and confusing maps of the various Underground railways.

London’s Underground network had rapidly grown from it’s beginnings in 1860 to become congested by the early 1900s, with many different private and public railways constructed under the city. In 1933, the government forced a merger of all the independent public transport companies in London, to create ‘London Transport’ in an effort to integrate the capital into a single public transport network.

Tube Map, 1908

Back in 1908, it was easy enough to fit the whole Underground network onto a geographically accurate map with streets superimposed on it, but by 1933 it had become increasingly difficult due to railway expansions into the suburbs. Beck realised that because the railways ran below ground, the physical locations of stations were less important. People simply wanted to know how to get from one station to another.

Tube Map, 1926

Beck approached London Transport with a new concept for a map of the entire Underground network, with the stations equally spaced and each line colour-coded. The map wasn’t geographically accurate, nor did it have a street map superimposed on it. At first, London Transport rejected the map, citing it as too radical, but in 1932 a trial run of 500 copies were printed. It proved hugely successful with Londoners, prompting a first batch of 700,000 to be printed in 1933, with a large second batch required after just one month.

Beck’s original Tube Map, 1933

After Beck’s success with the map, he continued to develop the design for London Transport until 1960, when he fell out with the Underground’s publicity officer. Beck then fought to retain control of the map. The Victoria line was added to the map later in 1960 without his approval, and after further rejections for a new design he created, Beck realised that he would never work for London Transport again. However, he continued to draw other versions of the map until he passed away in 1974.

Beck’s tube map has influenced metro, bus and tram maps all over the world ever since it was first printed. Over the years, there have been subtle changes to Beck’s map but the core design remains the same as that in 1933.

Tube Map, 2011

The simplicity and logic behind Beck’s tube map are the reasons why we still trust and love the design today. In 2009 it was declared a British design classic, where it was voted second only to Concorde, and was printed as part of a special edition set of Royal Mail stamps.

Royal Mail ‘British Design Classics’ stamps, 2009

Why is Harry Beck one of my creative heroes? Short answer: Function before form. Long answer: Because he took something incredibly complex and created a compellingly simple and easy to use piece of design that millions of people use every day.

You can see Harry Beck’s work for yourself at the London Transport Museum, Covent Garden, or alternatively have a read of Ken Garland’s book, ‘Mr Beck’s Underground Map’ (1994).

The Remedy team take a trip to the Design Museum…

Thursday, August 4th, 2011

Last week, the Remedy team ventured into London to the Design Museum. With the Brit Insurance Designs of the Year exhibition currently showing, we were all looking forward to an array of ground-breaking international design to inspire us, and we were not disappointed.

Known as ‘the Oscars of the design world’, the exhibits vary from products, graphics and architecture, and include creations from big-name brands such as Fiat, with their new two-cylinder ‘Twinair’ engine for the Fiat 500, as well as Dyson, who won an award for their ‘Air Multiplier’; a radical approach to the desktop fan. Startups such as revolutionary concrete company Concrete Canvas, with their product the ‘Concrete Canvas Shelter’, also feature in the exhibition.

One of our favourite pieces on show was ‘The Johnny Cash Project’, an interactive collaboration that is a ‘communal artwork’, a constantly evolving music video of Johnny Cash and the song ‘Ain’t No Grave’. Utilising user-generated content, the video is never the same twice. You can see, as well as take part in, ‘The Johnny Cash Project’ for yourself at www.thejohnnycashproject.com

If you are thinking of going to see the exhibition, this week is the final week, so get down there before Sunday is out! It’s definitely well worth a visit…

Click to visit The Johnny Cash Project

The Brit Insurance Designs of the Year 2011 is open until 7th August. View all of the entries at www.designsoftheyear.com

www.fiat.co.uk/500twinair
www.dyson.co.uk/fans
www.concretecanvas.co.uk

The Wall of Inspiration part 4

Wednesday, July 13th, 2011

Another lovely bunch of creative stuff to feast your eyes on. This time the wall plays host to everything from PG Tips to Bullfinches, pink wellies to dandies in top hats.

We were particularly fond of bird photography by Luke Stephenson, Macmillan’s typography and the Prontaprint brochures

For more inspiration, check out previous posts:

Wall #1
Wall #2
Wall #3

If you come across any creative gems that you think deserve a place on the wall, then please send them to:

The Wall,
Remedy Creative
17, Mount Ephraim,
Tunbridge Wells
Kent
TN4 8AE

Or email us: inspiration@remedycreative.com

The great wall of inspiration

Wednesday, June 1st, 2011

Our wall is bursting with inspiration yet again. This means it’s time to pull it all down and start over again…

Wall number 3 features Audi, Yorkshire miners and some lovely pink paint.

We’ve enjoyed collecting these nuggets of inspiration. If there is anything you’d like us to add next time then please send it to us:

The Wall,
Remedy Creative
17, Mount Ephraim,
Tunbridge Wells
Kent
TN4 8AE

Or email us: inspiration@remedycreative.com

If you’d like to be refreshed, you can check out the original wall here. Also, it’s sister, wall number 2, here.


Bring on the wall of inspiration

Tuesday, March 22nd, 2011

Our lovely wall of inspiration is full again.

This is part 2 of what looks like becoming a regular feature on the Remedy blog. Whenever we see something inspiring, be it typography, art, graphics, advertising…, we stick it on the wall. When the wall’s full, we take everything down and start again!

Found on the wall: Comedy Central, a rather dashing mandrill, Miss Grace Jones and the Southbank Centre to name but a few.

Check out Wall #1 here

Don’t forget, if you want to suggest something for the wall, send it to:

The Wall,
Remedy Creative
17, Mount Ephraim,
Tunbridge Wells
Kent
TN4 8AE

Or email: inspiration@remedycreative.com